Come as You are looks good. But Hasta La Vista, the original film that Come As You Are's screenplay is based on, looks better. https://www.youtube.com/watch?v=7davNhoUE30 https://www.youtube.com/watch?v=jS0St2NMk1Q

Available On Demand June 12 https://www.youtube.com/watch?time_continue=233&v=a4wsbzhKnSE&feature=emb_logo This summer, Apatow directs Saturday Night Live's Pete Davidson in a bracing comedy about love, loss and laughter on Staten Island. Scott (Davidson) has been a case of arrested development ever since his firefighter father died when he was seven. He’s now reached his mid-20s having achieved little, chasing a dream of becoming a tattoo artist that seems far out of reach. As his ambitious younger sister (Maude Apatow, HBO’s Euphoria) heads off to college, Scott is still living with his exhausted ER nurse mother (Oscar® winner Marisa Tomei) and spends his days smoking weed, hanging with the guys—Oscar (Ricky Velez, Master of None), Igor (Moises Arias, Five Feet Apart) and Richie (Lou Wilson, TV’s The Guest

Mindy Kaling and Lang Fischer's "Never Have I Ever" premieres (April 27) on Netflix.

If you like Black Cinema, Netflix's "They've Gotta Have Us" Documentary Series is excellent.

Greg Daniels, the writer behind the The Office and co-creator of Parks and Recreation, after ten years, returns with two shows in May. One is another workplace comedy starring Steve Carell (Netflix’s Space Force), but the other is Daniels’ true follow-up to The Office and Parks and Rec: a sci-fi comedy mystery called Upload. In many ways it’s a tremendously different show from those iconic sitcoms—it’s single-camera, it’s R-rated, and it’s heavily serialized. But what it shares with Daniels’ previous shows is what makes it so compelling: despite being a story set in the afterlife tackling themes of capitalism and loss of privacy, Upload is at heart deeply human and deeply funny. The series takes place in the year 2033, and the afterlife is not just possible, it’s profitable.